Stop Filtering Every Moment Through Your Character And Let the Scene Do the Work

One of the fastest ways to weaken a scene—without realizing you’re doing it—is by filtering everything through your character. Is your writing filled with these? I saw.She noticed.He heard.She felt.I realized. These words seem harmless. They feel natural. They even feel like they help anchor the reader in the character’s experience. They don’t. They create distance, and distance kills immersion. The Issue Filtering happens when the writer inserts the character’s perception between the reader and … Read more

The 5 Biggest Time Wasters When Writing a Business Book (And How to Cut Them Fast)

Most business books don’t fail because people can’t write. They fail because too much time is wasted on the wrong things. If writing your book feels slow, overwhelming, or like it’s never going to be finished… you’re probably stuck in one (or more) of these. Let’s fix that. 1. Endless Editing Loops What it looks like: You rewrite the same chapter over and over, trying to “get it right” before moving on. Why it’s a … Read more

The Problem with “There Was” Sentences

One of the easiest ways to weaken a sentence is to begin it with “There was” or “There were” or “There is.” These sentence openings rely on a placeholder instead of leading with the person, object, or action that actually matters. While this structure isn’t always wrong, frequent use creates slow, indirect prose and hides the real subject of the sentence. Consider this example from the world of Pinocchio: There was a boy standing in … Read more

The Problem with “It Was” Sentences

One of the easiest ways to weaken a sentence is to begin it with “It was.” Writers use this structure constantly in early drafts because it feels natural while telling a story. Unfortunately, sentences that begin with “It was” often delay the real subject of the sentence and drain energy from the prose. Instead of presenting a clear image or action, the sentence introduces a vague placeholder. Consider the difference. It was strange for Pinocchio … Read more

When Your Supporting Character Starts Stealing the Show: How POV Drift Weakens Your Protagonist (and How to Stop It)

There’s a quiet problem I see in developing manuscripts all the time. It doesn’t show up in grammar. It doesn’t show up in plot summaries. It doesn’t even show up in outlines. It shows up on the page. Your supporting character is stealing the story. You didn’t mean for it to happen. You still believe your protagonist is the main character. But somewhere along the way, emotional gravity shifted. And now the wrong character owns … Read more

The Importance of Editing and Proofreading in Self-Publishing: How to Polish Your Manuscript to Perfection

So, you’ve finished your manuscript. Congratulations! That’s a huge accomplishment. But before you hit that “publish” button, there’s one critical step you must take: editing and proofreading. In the world of self-publishing, where you’re responsible for every aspect of your book’s production, ensuring your manuscript is polished and error-free is essential for success. Why Editing and Proofreading Are Crucial Editing and proofreading are more than just correcting typos and grammatical errors. These processes ensure your … Read more

Why Stories Need One Protagonist (and Why Supporting Characters Should Stay Supporting)

One of the most common structural mistakes new writers make is confusing importance with point of view. Just because a character plays a significant role in the story does not mean they should carry POV. In fact, giving POV to too many characters—especially in books for younger readers—often weakens the story instead of strengthening it. At the heart of this issue is a misunderstanding of what a protagonist actually is. What a Protagonist Does A … Read more

The “Would” Problem: When Conditional Verbs Weaken Storytelling

One small word can quietly drain energy from a memoir: would. Writers of fiction and nonfiction often use would when describing past experiences, but the word frequently creates distance between the reader and the action. Instead of stating what happened, the sentence shifts into a conditional or habitual structure that weakens the verb. Consider this example: Pinocchio would lie whenever he was afraid. This sentence summarizes behavior rather than showing it. Now compare it to … Read more

The Problem with “Seemed” Sentences

Words like seemed, appeared, and phrases such as seemed like often weaken a sentence by introducing uncertainty where the writer could state the idea directly. These words act as filters between the reader and the moment being described. Instead of presenting the experience clearly, the sentence suggests that the narrator is interpreting or guessing. Consider this example from the world of Pinocchio: It seemed like Geppetto was disappointed. Now compare it to a more direct … Read more

Say What It Is, Not What It Isn’t

One subtle habit that weakens prose is describing something by what it isn’t rather than stating what it is. Writers often do this without realizing it. Sentences slip into constructions using not, didn’t, wasn’t, or similar negatives. While these sentences may technically communicate the idea, they force the reader to mentally process the opposite of what the writer actually means. Clear writing moves forward. Negative constructions make the reader take a detour. Consider the difference: … Read more

Breaking the Repetition Trap: When Every Sentence Starts the Same

Memoir and personal nonfiction naturally rely on first-person narration, but that doesn’t mean every sentence should begin with “I.” One of the most common structural problems in early drafts is the repeated use of sentence openings like I didn’t, I remember, or I felt. When this pattern appears several times in a row, the prose becomes predictable and the emotional impact weakens. Readers don’t consciously analyze sentence structure, but their brains quickly recognize repetition. When … Read more

The Problem with Wordy Clauses

Many early drafts contain sentences weighed down by wordy clauses—phrases that add length without adding meaning. These clauses often appear in forms like: Writers use these constructions when they are explaining a thought instead of stating it directly. The result is a sentence that circles around the idea rather than delivering it clearly. Consider this example from the world of Pinocchio: Now compare it to a cleaner version: Pinocchio realized that lying always made his … Read more

The Problem with Passive Voice

Passive voice occurs when a sentence hides or removes the person or thing performing the action. Instead of showing who is responsible, the sentence focuses on the result of the action. This structure is not always wrong, but it often creates sentences where the subject becomes unclear and the prose loses energy. Consider this example from the world of Hansel and Gretel: Hansel and Gretel were led into the forest. The sentence tells us what … Read more

Crafting a Compelling Narrative: Tips on Turning Personal Experiences into a Story That Captivates Readers

Memoir writing is a unique and rewarding endeavor that allows you to share your personal experiences with the world. However, turning your life story into a compelling narrative that captivates readers requires more than just recounting events. It involves crafting a story with a clear arc, relatable characters, and a deep emotional connection. Here are some tips to help you transform your personal experiences into a captivating memoir. 1. Find Your Story’s Core Message Every … Read more

Decoding Reader Assessments: How Nonfiction Authors Can Benefit

A reader assessment for nonfiction authors serves a similar purpose as it does for fiction authors, but it focuses on different aspects that are critical to nonfiction works. Here are the key components typically included in a reader assessment for nonfiction authors: Content Accuracy: Feedback on the accuracy and reliability of the information presented. Readers assess whether the facts, data, and references are correct and credible. Structure and Organization: Insights into how well the content … Read more

Unlock Your Writing Potential: Top Tips to Sit Down and Start Your Manuscript

Finding time to sit down and write is difficult, but sometimes it’s more about procrastination. So, here are some tips to help you sit down and write your manuscript: Set Clear Goals: Define what you want to achieve in each writing session. This could be a word count, a specific section, or a set amount of time spent writing. Create a Routine: Establish a regular writing schedule. Whether it’s early in the morning, during lunch … Read more

Understanding Reader Assessments: A Crucial Tool for Fiction Authors

A reader assessment for authors is a tool or process used to gather feedback from readers about a manuscript or published work. It provides authors with insights into how readers perceive their storytelling, what aspects are engaging or need improvement, and how effectively they communicate their message to a reader. Here are some common components of a reader assessment: Plot and Structure: Feedback on the overall plot, pacing, and structure of the story. This includes … Read more

What to Expect from a Professional Editor

Publishing today is highly competitive. If your book isn’t nearly perfect, you risk readers trashing your story. Professional editors are one way to make sure you release the best product possible. But it’s not always easy to find the right editor, especially when you are trying to find one for the first time. When hiring a paid editor, a writer should expect several things: Professionalism: The editor should conduct themselves in a professional manner throughout … Read more

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